(Piano, b. 1934) Born Adolphe Johannes ‘Dollar’ Brand in Capetown, South Africa, Abdullah Ibrahim successfully fused African rhythms and lilting melodic lines with the piano styles of Duke Ellington and Thelonious Monk. In 1960, with trumpeter Hugh Masekela and others as the Jazz Epistles, he released the first contemporary South African jazz album. The racial climate ...
(Guitar, vocals, 1926–83) The highly theatrical Joseph Benjamin ‘J.B.’ Hutto sang in the Golden Crowns Gospel Singers as a child and made his first records with his backup band, the Hawks, in 1954. Hutto then left the music business but returned, rejuvenated, 10 years later. He toured with various incarnations of the Hawks ...
Sometimes called ‘the African John Lee Hooker’, Ali ‘Farka’ Touré (1939–2006) was a Malian singer and guitarist, and one of Africa’s most renowned musicians. Many consider his music to be a bridge between traditional Malian music and its presumed descendant, the blues. The interplay of rhythm and sound in Touré’s music was similar to John Lee Hooker’s hypnotic blues style. ...
Latin America is particularly rich and varied in its musical traditions, with each country boasting a broad and very distinct collection of genres whose development has been shaped by indigenous rhythms, migration patterns from Europe and the influx of slavery. At the uppermost tip of Latin America is Mexico, a country whose musical sub-genres are too many to ...
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